The Sentinel (1977) Horror Gate of Hell

The Sentinel (1977)  It's a strange thing how there are some movies that despite all the negative reviews and comments that they are still your favorites. This film was panned when it came out, too slow, too derivative, religiously offensive. It may be that those things but I think it also is creepy and well written. It could be in that sweet spot where  I remember it as a teenager so it is nostalgic. The novel by Jeffrey Konvitz was adapted to a screenplay by he and Director Michael Winner about a portal from hell in Brooklyn that is guarded by a priest/nun to keep the evil where it belongs. Of course it is a bit more complex that that. The guardian must be a condemned soul who has then chosen God. So the Church, when a new guardian is needed, funnels a person who has attempted suicide to the building, they are the condemned for the attempt but can be redeemed if they become the new guardian. Demons in Hell knowing that a chance to break through haunt the apartment building attempting to make the chosen one choose death over God. This is where our story begins. The old priest Father Halliran (John Carradine) must pass on his duties. The Church through realtor Miss Logan (Ava Gardner) find a young model Alison Parker (Christina Raines) to the building making the amazing apartment too good to be true for $400 a month.  A dream come true for the price. She is a conflicted girl having attempted suicide twice. Traumatized by a horrid wealthy Father (Fred Stuthman), deceased but still haunting her with memories his sexual antics and events that precipitated her first suicide attempt. The seventies, and 80s for that matter seemed fixated on the idea of mental illness being caused by seeing your parents in sexual situations. So many slasher killers had this hang up and here it is again where finding your dad in bed with a couple naked ladies having a good time can make a teen try to take her own life.
  It certainly informs the character Alison. She is noncommittal to her boyfriend Michael (Chris Sarandon) suggestion to live together or possibly marry. It comes directly from her living with her lecherous father and that his unfaithful marriage informs her sensibilities. She does not want to be like her Mother who when asked why she stayed in the relationship said that she had no place to go. Maybe also she senses something in Michael that may be like her father, for he is not all smiles and love. We learn his secrets before the end of the film and they are not small. Hell he is an awful person callus and hurtful. So instead of moving in with him she takes the bottom floor of the apartment building where Father Halliran lives on the fifth.
  She starts to meet the neighbors, Mr Chazen (Burgess Meredith) alight with energy and a bit nosy like the Castevets in Rosemary's Baby. Gerde Engstrom (Sylvia Miles) and her lover Sandra (Beverly D' Angelo), the Clotkins and the Stinnets as well as Mrs. Clark. You don't really get to know these characters mainly just Chazen who interacts the most with Alison. SPOILERS: They are manifestations from hell sent to drive Alison to suicide, each a murderer condemned to hell for eternity. There is though a scene with Engstrom and Sandra that was most talked about at the time but fits with Alison's uncomfortable relationship with sexuality. She is visiting them and Engstrom leaves the room to get the coffee. Sandra then masturbates in front of  Alison never saying a word to her. When she cums she smells her hands which I thought was a strange choice by the actress and/or Director. We get to see the shear uncomfortable reaction and the quick departure from the apartment, but more it is a trigger to Alison's teen years with her suicide attempt. The ghost from hell are not going to go easy on her.
  Strange dreams, fainting spells, and noises upstairs are having an effect on Alison. In an attempt to ease her anxiety she asked the realtor about her neighbors and is told that she and Father Halliran are the only residents in the building. But she went to the other's apartments so she knows it is not possible. Miss Logan shows her the other apartments, not furnished as Alison remembers them and with cobwebs and different furniture. Her hold on reality starts to slip at this point. Michael tries to help her but he has his own secondary story involving the death of his wife, a private dick who works for him and some cops that don't want to leave her death a cold case suicide. Still he moves the plot along after Alison starts seeing only a latin phrase in a book in one of the abandoned apartments. "Tibi sortu cursus Tuum vigilia que severa munus"  which in Google translate is "The function of which is strict, the course of your watch, and you get lots of" but that could just be a poor translation, what the film gives us is
"To thee thy course, Thy lot is given charge and strict watch, To this happy place no evil thing approach or enter."  which is similar to the Milton from Paradise Lost, “Gabriel, to thee thy course by lot hath given Charge and strict watch that to this happy place No evil thing approach or enter in."
All of this to point the audience to the fact that there is a doorway to hell in the building and that Alison is chosen to be the next to defend it.
  What is a slow burn for most of the film really ramps up in the third act. Alison could go either way and on the day she is to decide the neighbors are back and with friends to try to drive her mad. The final scenes where she is being pursued through the apartment building filled with circus freaks, her father, her dead neighbors is just great. While most people probably don't dig this film I really do and think everyone should watch it. Alison is put in the position of either choosing death or receiving the mantle from Father Halliran and it is just great. I love the idea of this story, that there could be a gate to hell somewhere and that whatever church has to have a guardian to keep the world safe. I could totally get behind a remake of this film, like the idea in The Nun where perpetual prayer is needed to keep the demon in the convent. That could be the new version for a remake of this film. Where are you James Wan?!

Tam Lin (1970) Drama

Tam Lin (1970) aka "The Ballad of Tam Lin", aka "The Devil's Widow" Based on a Scottish song the film stars an aging Ava Gardner as a wealthy elite who uses (magical powers?) her cult of personality to keep a group of jet setter twenty and thirty somethings with her web of influence. Truly a product of its time this wandering tale of the lover, Tom Lynn (Ian McShane) who tries to get away is a weird trip of LSD induced paranoia and interpersonal game playing only a star like Gardner could pull off. In his Directorial debut and what ended up being the only directing credit he would get Roddy McDowall delivers a strange hallucinatory experience of inter and codependency.  This film is a departure from the normal horror fair that gets reviewed here at Soresport movies but there is a connection that can be explained. Last Christmas I received as a gift the wonderful Hammer Glamour, pictures and bio of the women of hammer films. Recently looking through that book gave me the idea of seeing some of the actresses in roles other than those from the Hammer studios. Since this had so many great actors in it I decided that this was the first to see. The connecting actress is Stephanie Beacham who we will also talk about in future review.
 In this film she plays Janet Ainsley a local village girl near the estate where Michaela Cazaret (Ava Gardner) has taken up residence with her troupe of groupies. Her favorite at this time is Tom Lynn a young dark and dreamy man twenty years her junior. When Janet and Tom meet there is a sluggish connection that eventually becomes love. Michaela always attentive to those caught in her web does not miss the attraction and uses her alluring persona to attempt to keep her pet boy from straying. Like in the song it gets its name from the story of love found and lost and the witchery of Michaela play out to a satisfying ending.  McDowell for his part make some interesting choices in the filming. There is this bizarre sequence where both Tom and Janet are wandering in the countryside and cross paths at a stream. The film then switches to images of the two and their encounter like snapshots every twenty second or so. I thought that the CD was skipping at first except that the music played through in perfect sync so it was an intentional choice. Later in the climax sequence a more interesting LSD driven set of scenes with hallucinations that I think worked much better.
  The plot showing the web Michaela has weaved getting the young group to love and worship her while in her head putting off her own reality of aging by staying with the young. The codependency of the group with her and she with then plays like a sad commentary on how money can buy anything and anyone. She is an entitled and arrogant woman with the desperate need to feel young and beautiful and uses her money and considerable charisma to get what she wants. When Tom falls for Janet and decides to leave Michaela for the younger woman it is more than the senior can bear.  A woman scorned she plots a revenge on the couple that fills the third act with an amazing sequence where drugged and hallucinating Tom fleas the group as the young pack hunt him. Janet finds Tom first and as they flee together with the hunters on their tails we see how her love of him can get him through the ordeal.  Not the greatest of films it drags early but recovers in the third act and was definitely worth viewing. For her part Beacham pales in scenes with the amazing Gardner, but then most people would fail to compare to such a powerful actress. Janet does though hang in there and in the end wins her man through trial of fire. So much of this film screams the late sixties and it is a interesting look at what we may think as strange ideas. It also though in our current reality of income inequality a glaring light on the wealthy and how they use and abuse those around them as commodities. Money being power and power that always needs exercising by the selfish wealthy without regard for the harm they do to those in the path.