Into The Dark Ep. 6 Treehouse (2019) Horror Witches

 Into the Dark Ep 6:  Treehouse (2019)  The film centers around Peter Rake (Jimmi Simpson) a celebrity chef and poor excuse for a man who treats women badly. Even with the scenes of him with his tween daughter are not enough to make him a likable character. As his big scandal is about to hit the internet he decides to get away for the weekend at his parents mansion in the California hills. We see him interact with women as a predator but also as somewhat smooth. There is a dark secret he is holding that happened in the titular tree house on the grounds that has created distance between him and his sister. That relationship has been strained for years and when later we learn the secret it at least makes a lot of sense.
  The writer on this feature James Roday and Todd Harthan seem to want to write about #MeToo through this story but what are they saying?  They set us up with a guy who obviously is on the wrong side of that equation and treats women badly. We see this as he struggles to interact with a group of women who are staying near his house. Running into and attempting to flirt we get to see him a bit uncomfortable when they challenge his language.  After some quite awkward interactions where he is forced to verbally tread lightly even as he hopes to maneuver at least one of the women into his bed.  He invites them Elana (Stephanie Beatriz), Kara (Julianna Guill), Lilith (Mary McCormack), Marie (Shaunette Reneee Wilson), and Morgan(Sophia Del Pizzo) to dinner and wants to impress with his cooking talents. He is a celebrity chef after all and if there is one thing he really does well it is cook. After some more difficult conversation is suddenly feels faint, drunk and or a combination of both. This is the first turn in the film and although there have been signs that a change was coming it is startling in its sudden change of pace.
  All along in this film we see written in these little possibly supernatural bits. Peter seeing animals and then them disappearing, bugs crawling around the house that are not there when he squishes them, a bloody toilet? All leading the viewer down a path that something crazy is happening. When costumed figures come for him each in masks of the animals he has been seeing we learn what it is. The women are witches and say they have cast a spell on him causing paralysis. Peter arrogant takes a bit to understand. Our lead Kara is the sister of Becca who we learn killed herself after being raped by Peter when he was a teenager. Now the group are going to make him pay. They get him scared, really scared that they are going to kill him. They are breaking him down emotionally and making him deal with all his bad behavior over the years. In this section the women come across as very angry and vengeful for this abusive man. If this is the space the film stayed in it would be a fine revenge film. All the anger because each women in the coven have themselves or someone close who has abusive men in there lives. We learn what a crap ass wipe Peter is because they take turns identifying his crimes from assault to forcing kitchen staff to sleep with him and then get an abortion, we learn that his rape of the teen was just a first in a long line of abuse. So there is really know reason to care if this guy learns a lesson. The anger of the women is what it is all about and this would be a reasonable way to finish Peter's lesson but then there is a final turn.
  The hallucinogen fueled nightmare ends with him waking in his bed and the call he receives from Kara is a scared straight moment. He has been traumatized and now must stay non abusive to women or the witches will get him. The twist where we learn all the women including his sister were in on the adventure, which was pulled off with special effect tricks. Yes they are a bunch of women but the anger they showed Peter is gone. Now they see themselves as a force of good changing the attitude of abusers one man at a time. I am not sure I like this switcheroo, I sort of liked the idea of real witches getting these asshole men back.
  I am not sure what the message here is. We should think with all the anger (at least perceive by the mail writers) of the #MeToo movement could manifest into a secret cabal of women with the special effects skills to scare abusers straight one at a time. That they are angry but they would rather redeem men who are abusive than punish them? I guess my male mind would rather just punish bad behavior. I don't know. I suppose the fact that they showed this one really awful man as someone the women thought they could redeem is telling. Still they set it up that he has to live in fear the rest of his life. Is that a good thing? I guess deterrents instead of revenge is the approach this film looks to explore. 

The Sentinel (1977) Horror Gate of Hell

The Sentinel (1977)  It's a strange thing how there are some movies that despite all the negative reviews and comments that they are still your favorites. This film was panned when it came out, too slow, too derivative, religiously offensive. It may be that those things but I think it also is creepy and well written. It could be in that sweet spot where  I remember it as a teenager so it is nostalgic. The novel by Jeffrey Konvitz was adapted to a screenplay by he and Director Michael Winner about a portal from hell in Brooklyn that is guarded by a priest/nun to keep the evil where it belongs. Of course it is a bit more complex that that. The guardian must be a condemned soul who has then chosen God. So the Church, when a new guardian is needed, funnels a person who has attempted suicide to the building, they are the condemned for the attempt but can be redeemed if they become the new guardian. Demons in Hell knowing that a chance to break through haunt the apartment building attempting to make the chosen one choose death over God. This is where our story begins. The old priest Father Halliran (John Carradine) must pass on his duties. The Church through realtor Miss Logan (Ava Gardner) find a young model Alison Parker (Christina Raines) to the building making the amazing apartment too good to be true for $400 a month.  A dream come true for the price. She is a conflicted girl having attempted suicide twice. Traumatized by a horrid wealthy Father (Fred Stuthman), deceased but still haunting her with memories his sexual antics and events that precipitated her first suicide attempt. The seventies, and 80s for that matter seemed fixated on the idea of mental illness being caused by seeing your parents in sexual situations. So many slasher killers had this hang up and here it is again where finding your dad in bed with a couple naked ladies having a good time can make a teen try to take her own life.
  It certainly informs the character Alison. She is noncommittal to her boyfriend Michael (Chris Sarandon) suggestion to live together or possibly marry. It comes directly from her living with her lecherous father and that his unfaithful marriage informs her sensibilities. She does not want to be like her Mother who when asked why she stayed in the relationship said that she had no place to go. Maybe also she senses something in Michael that may be like her father, for he is not all smiles and love. We learn his secrets before the end of the film and they are not small. Hell he is an awful person callus and hurtful. So instead of moving in with him she takes the bottom floor of the apartment building where Father Halliran lives on the fifth.
  She starts to meet the neighbors, Mr Chazen (Burgess Meredith) alight with energy and a bit nosy like the Castevets in Rosemary's Baby. Gerde Engstrom (Sylvia Miles) and her lover Sandra (Beverly D' Angelo), the Clotkins and the Stinnets as well as Mrs. Clark. You don't really get to know these characters mainly just Chazen who interacts the most with Alison. SPOILERS: They are manifestations from hell sent to drive Alison to suicide, each a murderer condemned to hell for eternity. There is though a scene with Engstrom and Sandra that was most talked about at the time but fits with Alison's uncomfortable relationship with sexuality. She is visiting them and Engstrom leaves the room to get the coffee. Sandra then masturbates in front of  Alison never saying a word to her. When she cums she smells her hands which I thought was a strange choice by the actress and/or Director. We get to see the shear uncomfortable reaction and the quick departure from the apartment, but more it is a trigger to Alison's teen years with her suicide attempt. The ghost from hell are not going to go easy on her.
  Strange dreams, fainting spells, and noises upstairs are having an effect on Alison. In an attempt to ease her anxiety she asked the realtor about her neighbors and is told that she and Father Halliran are the only residents in the building. But she went to the other's apartments so she knows it is not possible. Miss Logan shows her the other apartments, not furnished as Alison remembers them and with cobwebs and different furniture. Her hold on reality starts to slip at this point. Michael tries to help her but he has his own secondary story involving the death of his wife, a private dick who works for him and some cops that don't want to leave her death a cold case suicide. Still he moves the plot along after Alison starts seeing only a latin phrase in a book in one of the abandoned apartments. "Tibi sortu cursus Tuum vigilia que severa munus"  which in Google translate is "The function of which is strict, the course of your watch, and you get lots of" but that could just be a poor translation, what the film gives us is
"To thee thy course, Thy lot is given charge and strict watch, To this happy place no evil thing approach or enter."  which is similar to the Milton from Paradise Lost, “Gabriel, to thee thy course by lot hath given Charge and strict watch that to this happy place No evil thing approach or enter in."
All of this to point the audience to the fact that there is a doorway to hell in the building and that Alison is chosen to be the next to defend it.
  What is a slow burn for most of the film really ramps up in the third act. Alison could go either way and on the day she is to decide the neighbors are back and with friends to try to drive her mad. The final scenes where she is being pursued through the apartment building filled with circus freaks, her father, her dead neighbors is just great. While most people probably don't dig this film I really do and think everyone should watch it. Alison is put in the position of either choosing death or receiving the mantle from Father Halliran and it is just great. I love the idea of this story, that there could be a gate to hell somewhere and that whatever church has to have a guardian to keep the world safe. I could totally get behind a remake of this film, like the idea in The Nun where perpetual prayer is needed to keep the demon in the convent. That could be the new version for a remake of this film. Where are you James Wan?!