31 Days of Halloween 2018

The Skeptic (2009)  What can you say? This is an example of expectation of a title being something that it turns out not to be. First off Writer Director Tennyson Bardwell, it is hard to believe that is a real name and if it is he really should be a playwright. Second what appeared to be a story about Bryan Becket (Tim Daly) as a skeptical lawyer forced to face his past and some ghosts when he inherits his Aunts house. Estranged from his wife Robin (Andrea Roth) he moves into the house and soon has what seem to be paranormal experiences. Being the hard nose realist he believes himself to be he looks for common explanations to the strange events. When that does not seem to work we get a abbreviated appearance by Zoe Saldana as Cassie a psychic who helps Bryan get in touch with the spirits in the house. Still the big turn in this film is the repressed memories he has about childhood abuse that all come spilling out in the final act. The film really feels like each act is a separate film. The horror is missing through most of it and when you do get some creepiness it is muted by the characters disbelief. The first act is the drama of his breakup of his wife and his moving into the creepy house. During this act Bryan is a disbeliever looking for answers to the house. The subplot that the house is being left to an institute doing ESP research allows for the inclusion of the Cassie character.  The second act is him coming to terms that maybe there is something more to the house outside of his rigid world view. The spirited Cassie allows him to open to the possibility that ghost may be involved and that maybe his memory of events from his past are just a wall built to protect his psyche. The third act bring the realization of repressed memories and his abuse in that very house by his Mother. So we pivot again to the real world and away from the supernatural only in the last scene to reverse course before the film comes to an end. Bland acting on Daly's part never quiet reflects the bubbling pressure of the character arc. Side characters seem contrivances who only each play a small role and then are never seen again. In the first act Roth, in the second coworker Sully (Tom Arnold) in the third family friend and doctor, Dr. Shepard (Edward Herrmann) and family minister Father Wymond (Robert Prosky). So in the end I just did not dig this movie too much. It was not quiet a ghost movie, not quite personal journey past abuse.

The Sentinel (1977)  It's a strange thing how there are some movies that despite all the negative reviews and comments that they are still your favorites. This film was panned when it came out, too slow, too derivative, religiously offensive. It may be that those things but I think it also is creepy and well written. The novel by Jeffrey Konvitz was adapted to a screenplay by he and Director Michael Winner about a portal from hell in Brooklyn that is guarded by a priest/nun to keep the evil where it belongs. Of course it is a bit more complex that that. The guardian must be a condemned soul who has then chosen God. So the Church, when a new guardian is needed, funnels a person who has attempted suicide to the building, they are the condemned for the attempt but can be redeemed if they become the new guardian. Demons in Hell knowing that a chance to break through haunt the apartment building attempting to make the chosen one choose death over God. This is where our story begins. The old priest Father Halliran (John Carradine) must pass on his duties. The Church through realtor Miss Logan (Ava Gardner) find a young model Alison Parker (Christina Raines) to the building making the amazing apartment too good to be true for $400 a month. She is a conflicted girl having attempted suicide twice. Traumatized by a horrid wealthy Father (Fred Stuthman), deceased but still haunting her with memories his sexual antics and events that precipitated her first suicide attempt. The seventies, and 80s for that matter seemed fixated on the idea of mental illness being caused by seeing your parents in sexual situations. So many slasher killers had this hang up and here it is again where finding your dad in bed with a couple naked ladies having a good time can make a teen try to take her own life.
  I like the writing in this film when it comes to that idea. It certainly informs the character Alison. She is noncommittal to her boyfriend Michael (Chris Sarandon) suggestion to live together or possibly marry. It comes directly from her living with her lecherous father and that his unfaithful marriage informs her sensibilities. She does not want to be like her Mother who when asked why she stayed in the relationship said that she had no place to go. Maybe also she senses something in Michael that may be like her father, for he is not all smiles and love. We learn his secrets before the end of the film and they are not small. So instead of moving in with him she takes the bottom floor of the apartment building where Father Halliran lives on the fifth. A dream come true for the price.
  She starts to meet the neighbors, Mr Chazen (Burgess Meredith) alight with energy and a bit nosy like the Castevets in Rosemary's Baby. Gerde Engstrom (Sylvia Miles) and her lover Sandra (Beverly D' Angelo), the Clotkins and the Stinnets as well as Mrs. Clark. You don't really get to know these characters mainly just Chazen who interacts the most with Alison. SPOILER: They are manifestations from hell sent to drive Alison to suicide, each a murderer condemned to hell for eternity. There is though a scene with Engstrom and Sandra that was most talked about at the time but fits with Alison's uncomfortable relationship with sexuality. She is visiting them and Engstrom leaves the room to get the coffee. Sandra then masturbates in front of  Alison never saying a word to her. When she cums she smells her hands which I thought was a great and strange choice by the actress. We get to see the shear uncomfortable reaction and the quick departure from the apartment, but more it is a trigger to Alison's teen years with her suicide attempt.
  Strange dreams, fainting spells, and noises upstairs are having an effect on Alison. In an attempt to ease her anxiety she asked the realtor about her neighbors and is told that she and Father Halliran are the only residents in the building. But she went to the other's apartments it is not possible. Miss Logan shows her the other apartments, not furnished as Alison remembers them and with cobwebs and different furniture. Her hold on reality starts to slip at this point. Michael tries to help her but he has his own secondary story involving the death of his wife, a private dick who works for him and some cops that don't want to leave her death a cold case suicide. Still he moves the plot along after Alison starts seeing only a latin phrase in a book in one of the abandoned apartments. "Tibi sortu cursus Tuum vigilia que severa munus"  which in Google translate is "The function of which is strict, the course of your watch, and you get lots of" but that could just be a poor translation, what the film gives us is
"To thee thy course, Thy lot is given charge and strict watch, To this happy place no evil thing approach or enter."  which is similar to the Milton from Paradise Lost, “Gabriel, to thee thy course by lot hath given Charge and strict watch that to this happy place No evil thing approach or enter in."
All of this to point the audience to the fact that there is a doorway to hell in the building and that Alison is chosen to be the next to defend it.
  What is a slow burn for most of the film really ramps up in the third act. Alison could go either way and on the day she is to decide the neighbors are back and with friends to try to drive her mad. The final scenes where she is being pursued through the apartment building filled with circus freaks, her father, her dead neighbors is just great. While most people probably don't dig this film I really do and think everyone should watch it. Alison is put in the position of either choosing death or receiving the mantle from Father Halliran and it is just great. I love the idea of this story, that there could be a gate to hell somewhere and that whatever church has to have a guardian to keep the world safe. I could totally get behind a remake of this film, like the idea in The Nun where perpetual prayer is needed to keep the demon in the convent. That could be the new version for a remake of this film. Where are you James Wan?!